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A limited-edition cover by Swedish artist Grateful Artsy Soul. About her design, Pragati shared, “Every year, I see these gorgeous pink roses slowly fade and transform into these beautiful rose hips turning the palette around from summer to autumn. The days begin to get shorter and often dark with clouds, the lamps and candles begin to bring a warm glow to the longer nights and sometimes dark days too.. and amongst these, these flowers and their berries bring about brilliance and colour even before the leaves change colour ..”
A limited-edition cover by artist Jessica L Smith. About her design, Jessica shared, “My design was inspired by one of my favorite colors- mustard yellow. One of my favorite things to draw is florals with lots of color and textures and that greatly impacted this design. I love the hand-drawn yellow golden blossoms. I really took to heart what I would personally want to see sitting on my desk all year round- like a little touch of sunshine for everyday notes and plans.”
A limited-edition cover by artist Grace Ann Ekstrom. About her design, Grace shared, “My design was inspired by the golden sun and hues of early autumn from time spent near the North Sea on Sweden’s west coast. Everything is richly hued and feels a bit more vibrant just before nature goes to sleep for winter. It is my favorite time of year.”
A limited-edition cover by artist Brenda Pacheco. About her design, Brenda shared, “Art has a beautiful way of bringing us closer to our emotions and to the world around us. Inspired by the gentle beauty of wildflowers and the quiet peace they evoke, my Abstract Floral design captures their essence through expressive, flowing strokes rather than detailed forms. Each brushstroke becomes a feeling, a moment of stillness, a soft reminder to slow down and find beauty in simplicity. Because sometimes, the most meaningful art is not what we see, but what we feel. It’s Art From Heart.©”
A limited-edition cover by artist Hanne Hova. About her design, Hanne shared, “Garden Tapestry comes from my love for historical tapestries of the late 1800s and the work of William Morris. I let those influences settle, then drew the whole design freehand with textured dry-ink brushes, following the rhythm of the lines as they appeared. Along the way I added some playfulness in a mid-century modern style of drawing.”
* Our leather covers are a coated paper that looks and feels like leather, but is not real leather.
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